David Brent: Life on the Road (Review)

David Brent: Life on the Road (Film Review) 2016

Directed by: Ricky Gervais
Starring: Ricky Gervais and Doc Brown
Genre: Mockumentary

Brent is back, the star of the British mockumentary TV show The Office.

The film is definitely funny. While some laughs are a little low quality, David Brent: Life on the Road definitely achieves the goal of being a good comedy. Ricky Gervais' wit shines through in this character.

A major issue with the film is its pacing. Once Brent begins his Reading gigs, the movie slows down and becomes repetitive. It feels as though the cast are really getting nowhere, the plot likewise. I really enjoyed the office scenes and lead-up to the band's playing.

Some of the on-camera interviews seemed quite forced, mainly the interviews with the other band-members. Unlike with Gervais and the office crew, the band's comments felt forced and unnecessary.

I really enjoyed the style of the film, with some interesting visual choices. The documentary spoof seems very natural, save a few mistimed interviews, almost convincing the audience that David Brent is an actual person.

Although the plot was relatively predictable, it's still a fun and witty film that I would recommend if a laugh is what you're after.

7/10.

Rated 16, runtime 85 minutes.

The Neon Demon (Review)

The Neon Demon (Film Review) 2016

Directed by Nicolas Winding Refn
Starring Elle Fanning, Jena Malone, Keanau Reeves
Psychological Thriller

The Neon Demon, visually, is a masterpiece. Every shot is like an individual painting, meticulously coloured and set. If I was to rate the film solely on its visuals I would have give it a 10/10, but a film is more than just visual.

I don't believe the plot and theme are as complex as some choose to claim. A slightly overdone message on the dangers of vanity and industries which obsess over beauty and youth. I don't believe its disturbing scenes are gratuitous, emphasising how far the idea of beauty can influence people. There are some very interesting visual metaphors throughout the film, also.

The performances in the film were solid, but not exactly extraordinary. Elle Fanning definitely has fun in her role, but her given dialogue was bland. The same goes for the remaining cast, no performances really shone through. It is possible that the simplistic dialogue adds to the theme of vanity.

The film has another 10/10 aspect, its score. Finishing with a powerful piece from Sia, the film is littered with haunting and modern pieces which stick with the viewer. The trailer clearly displays the film's mastery of music.

The Neon Demon is an art film. I am in no way surprised by negative or positive reviews, and it seems the negative to positive review ratio seems to be about 1:1. Its visually and musically amazing, but I personally found the theme to be slightly shallow with some less than stellar dialogue. Although, the visuals and score did effect me more than the latter.

8/10.

Rated 18, runtime 117 minutes.

Ghostbusters (Review)

Ghostbusters (Film Review) 2016

Directed by Paul Feig
Starring Kristen Wiig, Melissa McCarthy, Leslie Jones, Kate McKinnon and Chris Hemsworth
Fantasy/Sci-Fi

Following the absolute hatred which I've seen displayed by die-hard Ghostbusters fans, I had very low expectations for this reboot. I was pleasantly surprised by an entertaining and funny fantasy film which understands what kind of movie it is. ''Ain't no bitches gonna hunt no ghosts'' is a great reference to this fan hatred.

The comedy aspect of the film definitely worked. I was laughing throughout, although there are some missed jokes present in the script. Some of the humour, namely that involving Chris Hemsworth and Leslie Jones, was overdone and reenforced stereotypes. I was surprised by the problematic loud-mouthiness displayed by Lesley Jones character, the only non-scientist ghostbuster, who also happens to be a black woman. This is especially for a film which prides itself on its inclusivity.

The plot has some shady logic, but clearly isn't going for anything other than fun. It is similar enough to the original to evoke nostalgia, but different enough to warrant a reboot.

The visual and special effects were very well-done, especially in the first two acts, although the CGI gets excessive and cheesy in parts of the end-battle. The film maintained being entertaining for the entire three acts, although I would have to say I preferred the beginning acts.

Overall, Ghostbusters is nothing like a ''bad film'' as many original fans claim. It is a decently-made, funny and entertaining reboot. I enjoyed watching, and so did most of the people at the cinema, to my knowledge. It doesn't pretend to be superior to the original, but is a fresh take on a fan favourite.

7/10.

Rated 12a, runtime 117 minutes.

Tale of Tales (Review)

Tale of Tales (Film Review) 2016

Directed by Matteo Garonne
Starring Salma Hayek, Toby Jones and Vincent Cassel

The film is split into three distinct plot lines, an infertile queen longing for a child, two old women longing for beauty, and a king and his flea. I found the ''Two Old Women'' plot line to be vastly superior to the other two. It was the most intriguing and never felt dragged out. The majority of the third act is dominated by the flea story, one which I felt ran overtime, but was the most humorous. The queen plot line also didn't intrigue me to the same extent, having some low-interest moments.

While the acting wasn't the aspect of the film which stuck with me, there are no complaints about any of the actors. Salma Hayek felt so natural in her role, along with Vincent Cassel.

The set design and makeup design was remarkable, completely transforming the film into an authentic middle-age tale. Mixed with the cinematography, Tale of Tales was visually amazing.

Tale of Tales is an eccentric and visually beautiful film, although it drops in intrigue in its finishing act.

7.5/10.

Rated 15a, runtime 134 minutes.

Suburra (Review)

Suburra (Film Review) 2016

Directed by Stefano Rulli
Starring Pierfrancesco Favino and Elio Germano

Suburra is an Italian neo-noir mafia film. The film is set in 2011 in Rome, when a major mob were bribing and threatening politicians to pass a law to convert a traditionally Italian town into a gambling and partying, mafia run, location, focusing on the mafia's control of Italian politics and the Vatican. It also focuses on the rivalries between gangs. ''Everyone can be bought.''

The rain-filled cinematography definitely tells the story's tone. Hyper-violence, political and Vatican corruption, and traditional mafia activity, the film isn't easy to watch. But the film's visuals, even including the violence, are done masterfully. The graphic violence adds the gritty sense that this film required.

I admire that the film went with an intelligent plot, rather than a solely action-filled one. The hard-hitting violence is only justified by the plot. An intriguing plot, at that.

The entire soundtrack was curated by the French band M83, and the music works unbelievably well with the visuals, as made obvious by the trailer. The tracks all sounds very modern, matching what the mafia wish to transform a traditional town into.

I don't have any major complaints, other than that it could have swayed further from the Italian mafia-film stereotype, and feel the film is gritty but visually beautiful.

9/10.

Rated 18, runtime 135 minutes.

The Stanford Prison Experiment (Review)

The Stanford Prison Experiment (Film Review) 2015

Directed by Kyle Patrick Alvarez
Starring Ezra Miller and Billy Crudup

The Stanford Prison Experiement is an independent drama which follows the notorious 1971 psychological experiment carried out by Dr. Philip Zambardo. 15 applicants are randomly assigned the roles of prisoners or guards to participate in a simulated jail setting over the period of two weeks. The experiment, and the film, act as an exploration of the transformation of human nature under negative circumstances.

The film's introduction is a beautifully filmed process of printing the advertisements for the experiment, completely devoid of any human features, already highlighting the deindividuation faced by both the ''prisoners'' and the ''guards'' involved in the experiment.

The cast mainly consists of young men, already established in the acting world. Ezra Miller (We Need To Talk About Kevin, The Perks of Being a Wallflower) stands out as a very strong actor, along with Tye Sheridan (Mud, X-Men) and Johnny Simmons (The Perks of Being a Wallflower). The acting adds a level of needed realism, to drive home the fact that this experiment did actually occur, and that this is definitely human nature.

The film did have a minor downfall with pacing. Some scenes, although many of these were intentional, were very repetitive, and not very interesting to watch. While other scenes, such as the sequence involving ''parole'' should have been prolonged. I personally did not feel 100% interested throughout.

The Stanford Prison Experiment is an intriguing psychological study with stellar acting, but not a consistently engaging film. Although I doubt all viewers will feel the same way, I consider it a negative trait. The film is enjoyable, but disturbing, and I recommend it to those interested in psychology and human behaviour.

7.5/10.

Rated 15a, runtime 122 minutes.

The Nice Guys (Review)

The Nice Guys (Film Review) 2016

Directed by Shane Black

Starring Ryan Gosling and Russel Crowe

The Nice Guys is a 2016 buddy-cop, action-comedy. Action-comedy, a genre I always must be cautious of. The Nice Guys falls short of my approval.

Neither of the genre's points work or flow. The action/thriller aspect of the film failed, due to the fact that the film is simply not thrilling. The characters cannot be described as engaging, and I therefore felt no empathy towards them, or their fate. The ''comedy'' was generally slapstick humour, mostly consisting of feminine shrieks from Ryan Gosling.

Russell Crowe's performance was wooden and constricted by his masculine character. The child actress (Angourie Rice) was unimpressive, and at times, irritating. Though, overall, I found the performances to be quite weak, there were some above-average performances from some side-characters.

The plot wasn't entirely flawed, although the movie did not benefit from withholding the amount of information that it did until the finale. It's introductory scene did utilise withholding of information well, infusing the film with mystery. I felt that the film took a dip following the first act or so.

Overall, The Nice Guys is a buddy-cop film littered with flaws and unimpressive performances. 

5.5/10.

Rated 15a, runtime 116 minutes.